Everything Everywhere All At Once
What distinguishes the script of the movie Everything Everywhere All at Once is the indirect presentation of the general idea that he intended, in addition to the formation of a methodology different from the parallel universes, meaning that it is not possible from the beginning to imagine what the events indicate towards that idea since the early periods of the film, which will appear to everyone as It tends to the purely commercial formula of a struggle the heroine has to fight through the multiverse in order for good to triumph over poetry with the traditional ending that everyone is undoubtedly familiar with.
The matter is simply and without going into details to avoid burning depends on the perspective of existentialism that conflicts with controlling the desires of others and what they believe in, which they fail to achieve in light of the will of some who order without objection and issue their judgments that are irreversible. In a picture mixed with the style on which the events are based, it clarifies the meaning and distinguishes the film from any traditional related to the conflict that we see repeated in many works.
What will catch everyone's attention while watching is the speed of the events of the movie Everything Everywhere All at Once, and that crazy narrative composition that moves between many and many situations within the original movie world and its parallel universes, the movie may actually be faster than usual and it is difficult in some recent times to reach a coherence It is omnipresent among all that is happening inside it, but it is in contrast a highly intelligent symbolism of the directors nicknamed “Daniels” that refers to the great cultural and intellectual change that the current generation is going through and the many transitional stages they go through without the awareness of adults and dealing with them in an ideal way.
All of the above was presented, enhanced by a tight montage, in the rapid movement between the scenes of the universes and their counterparts from flashback and others, as well as highlighting the transformations that occur on the characters in certain moments, this comes in addition to the visual effects that are especially evident in the action and combat scenes in the second text of the film, and the use The master of choreography in designing continuous movement sequences with which the rhythm was elevated and the events ran with it, as its content was previously explained.
The film's star heroine, "Michelle Yu", has not been seen with such liveliness for a while despite her diligent work in many Hollywood films, but Evelyn's complex character structure and the constant movement of the character in the way she was presented makes the appearance of "Yo" extremely sick. .
She is the one who has mastered many of the expressions of the character "Evelyn" amid the many dangers surrounding her, and the dramatic improvisation in the situations that she brings together with the supporting characters, led by the star "Jimmy Lee Curtis" in her really good small role, and also doing action scenes on the dangerous despite the Her apparent progress in age in terms of body and physique, a performance that will undoubtedly make her in the list of stars that could be nominated for an Oscar for acting this year, initially until the time of the awards, perhaps surprising as usual in recent years.
In conclusion, the movie Everything Everywhere All at Once deserved that place it deservedly received as the great compensation for the disappointment in the movie Multiverse of Madness, and may be the beginning of the way for many cinematic releases that rely on the idea of parallel universes, and are certainly far from what is presented in their content With comic books.
Directed by Daniel Kwan
Daniel Scheinert
Written by
Daniel Kwan
Daniel Scheinert
Joe Russo
Anthony Russo
Mike Larocca
Daniel Kwan
Daniel Scheinert
Jonathan Wang
Siavash Mirzaei
Starring
Michelle Yeoh
Stephanie Hsu
Ke Huy Quan
Jenny Slate
Harry Shum Jr.
James Hong
Jamie Lee Curtis
Cinematography Larkin Seiple
Edited by Paul Rogers
Music by Son Lux
Production
companies
IAC Films
Gozie AGBO
Year of the Rat
Ley Line Entertainment
Distributed by A24
Release dates
March 11, 2022 (SXSW)
March 25, 2022 (United States)
Running time 140 minutes[1]
Country United States
Languages
English
Mandarin
Cantonese
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